Joseph Mallord William Turner, RA (23 April 1775 – 19 December 1851) was an English Romanticist landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting.Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as “the painter of light”and his work is regarded as a Romantic preface to Impressionism. Some of his works are cited as examples of abstract art prior to its recognition in the early 20th century.
Joseph Mallord William Turner was baptised on 14 May 1775, Turner himself claimed he was born on 23 April. He was born in Maiden Lane, Covent Garden, in London, England. His father, William Turner (1745–21 September 1829), was a barber and wig maker, His mother, Mary Marshall, came from a family of butchers. A younger sister, Mary Ann, was born in September 1778 but died in August 1783
.Eighteenth century Bethlem was most notably portrayed in a scene from William Hogarth’s A Rake’s Progress (1735), the story of a rich merchant’s son, Tom Rakewell whose immoral living causes him to end up in Bethlem.
In 1785, due to his mother showing signs of the mental disturbance for which she was admitted first to St Luke’s Hospital for Lunatics in Old Street in 1799 and then Bethlem Hospital in 1800, the young Turner was sent to stay with his maternal uncle, Joseph Mallord William Marshall, in Brentford, then a small town on the banks of the River Thames west of London.
From this period, the earliest known artistic exercise by Turner is found, a series of simple colourings of engraved plates from Henry Boswell’s Picturesque View of the Antiquities of England and Wales. Around 1786, Turner was sent to Margate on the north-east Kent coast. Here he produced a series of drawings of the town and surrounding area foreshadowing his later work. Turner returned to Margate many times in later life. By this time, Turner’s drawings were being exhibited in his father’s shop window and sold for a few shillings. His father boasted to the artist Thomas Stothard that: “My son, sir, is going to be a painter.” In 1789 Turner again stayed with his uncle, who had retired to Sunningwell in Berkshire (later, following the 1974 boundary changes, part of Oxfordshire). A whole sketchbook of work from this time in Berkshire survives, as well as a watercolour of Oxford. The use of pencil sketches on location as a basis for later finished paintings formed the basis of Turner’s essential working style for his whole career.“A View of the Archbishop’s Palace, Lambeth” This watercolour was Turner’s first to be accepted for the Royal Academy’s annual exhibition in April 1790, the month he turned fifteen.
The watercolour showcases Turner’s progress in mastering perspective, showing several buildings at dramatically different angles. (1790)Many early sketches by Turner were architectural studies and/or exercises in perspective and it is known that as a young man he worked for several architects including Thomas Hardwick (junior), James Wyatt and Joseph Bonomi the Elder. By the end of 1789 he had also begun to study under the topographical draughtsman Thomas Malton, whom Turner would later call “My real master.”
He entered the Royal Academy of Art schools in 1789, when he was 14 years old, and was accepted into the academy a year later. Sir Joshua Reynolds, president of the Royal Academy, chaired the panel that admitted him. At first Turner showed a keen interest in architecture but was advised to continue painting by the architect Thomas Hardwick. His first watercolour painting A View of the Archbishop’s Palace, Lambeth was accepted for the Royal Academy summer exhibition of 1790 when Turner was 15.As a probationer in the academy, he was taught drawing from plaster casts of antique sculptures and his name appears in the registry of the academy over a hundred times from July 1790 to October 1793.
In June 1792, he was admitted to the life class to learn to draw the human body from nude models. Turner exhibited watercolours each year at the academy – travelling in the summer and painting in the winter. He travelled widely throughout Britain, particularly to Wales, and produced a wide range of sketches for working up into studies and watercolours.
- 20 January 2019
- Art Studio Catalogue
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